Adults 55+

WINNER OF
Hugo Award for Best Novella
Nebula Award for Best Novella
Reddit Stabby Award for Best Novella
British Science Fiction Association Award for Best Novella

SHORTLISTED FOR
2020 Theodore Sturgeon Memorial Award
The Ray Bradbury Prize
Kitschies Red Tentacle Award
Kitschies Inky Tentacle
Brave New Words Award

Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading.

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war. That's how war works. Right?

'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe

'An intimate and lyrical tour of time, myth and history' John Scalzi, bestselling author of Old Man's War

'Lyrical and vivid and bittersweet' Ann Leckie, Hugo Award-winning author of Ancillary Justice

'Rich and strange, a romantic tour through all of time and the multiverse' Martha Wells, Hugo and Nebula Award-winning author of The Murderbot Diaries

In the ruins of civilization, a young girl's kindness and capacity for love will either save humanity -- or wipe it out in this USA Today bestselling thriller Joss Whedon calls "heartfelt, remorseless, and painfully human."

Melanie is a very special girl. Dr Caldwell calls her "our little genius."

Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointed at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.

Instant New York Times Bestseller
One of Fall 2019's Best Books (People, EW, Lithub, Vox, Washington Post, and more)
A young boy is haunted by a voice in his head in this acclaimed epic of literary horror from the author of The Perks of Being a Wallflower.
Christopher is seven years old.Christopher is the new kid in town.Christopher has an imaginary friend.
We can swallow our fear or let our fear swallow us.
Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.
At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.
Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

“Wild, mesmerizing, perversely witty….A Valentine from hell.”
 —Janet Maslin, New York Times

The publication of Joe Hill’s beautifully textured, deliciously scary debut novel Heart-Shaped Box was greeted with the sort of overwhelming critical acclaim that is rare for a work of skin-crawling supernatural terror. It was cited as a Best Book of the Year by Atlanta magazine, the Tampa Tribune, the St. Louis Post Dispatch, and the Village Voice, to name but a few. Award-winning, #1 New York Times bestselling Neil Gaiman of The Sandman, The Graveyard Book, and Anansi Boys fame calls Joe Hill’s story of a jaded rock star haunted by a ghost he purchased on the internet, “relentless, gripping, powerful.” Open this Heart-Shaped Box from two-time Bram Stoker Award-winner Hill if you dare and see what all the well-deserved hoopla is about.

"A female investigator every bit as brainy and battle-hardened as Lisbeth Salander."
—Maureen Corrigan, NPR's Fresh Air, on Maisie Dobbs

Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan's friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts and helped her earn admission to the prestigious Girton College in Cambridge, where Maisie planned to complete her education.
 
The outbreak of war changed everything. Maisie trained as a nurse, then left for France to serve at the Front, where she found—and lost—an important part of herself. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive. Her very first case involves suspected infidelity but reveals something very different.
 
In the aftermath of the Great War, a former officer has founded a working farm known as The Retreat, that acts as a convalescent refuge for ex-soldiers too shattered to resume normal life. When Fate brings Maisie a second case involving The Retreat, she must finally confront the ghost that has haunted her for over a decade.

“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman

New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death!

George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete.

Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead.

Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it.

It begins with one body.

A pair of medical examiners find themselves battling a dead man who won’t stay dead.

It spreads quickly.

In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come.

Everywhere, people are targeted by both the living and the dead.

We think we know how this story ends.

We. Are. Wrong.

"Go read Andy Davidson’s lush nightmare, The Boatman’s Daughter. It put an arrow through my head and heart.” —Paul Tremblay, author of Growing Things

"Ample bloodshed is offset by beautiful prose . . . A stunning supernatural Southern Gothic." —Kirkus (starred)

Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.

But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

With the heady mythmaking of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman's Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.

NATIONAL BESTSELLER

"A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth's deliciously ghoulish voice . . . exquisite." --Ron Charles, THE WASHINGTON POST
 

"A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky." --ENTERTAINMENT WEEKLY

Named a Most Anticipated Book by Entertainment Weekly * Washington Post * USA Today * Time * O, The Oprah Magazine * Buzzfeed * Harper's Bazaar * Vulture * Parade * HuffPost * Refinery29 * Popsugar * E! News * Bustle * The Millions * GoodReads * Autostraddle * Lambda Literary * Literary Hub * and more!

The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls--a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit

Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary's book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever--but not before three more people mysteriously die on the property, each in a most troubling way.
 

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the "haunted and cursed" Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled--or perhaps just grimly exploited--and soon it's impossible to tell where the curse leaves off and Hollywood begins.

A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read.

"Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness--all replete with evocative illustrations that are icing on a deviously delicious cake." -O, THE OPRAH MAGAZINE
 

A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of The Return.
 
All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation.  
 
Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?

A USA TODAY BESTSELLER • A Bram Stoker, Shirley Jackson, British Fantasy, and World Fantasy Award Finalist! • An Indie Next Pick! • An October LibraryReads Pick! • 2022 RUSA Reading List: Horror Winner!

Cassandra Khaw's Nothing But Blackened Teeth is a gorgeously creepy haunted house tale, steeped in Japanese folklore and full of devastating twists.

A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company.

It’s the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding.

A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested.

But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart.

And she gets lonely down there in the dirt.

Effortlessly turning the classic haunted house story on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions.

Also by Cassandra Khaw:
The Salt Grows Heavy
A Song for Quiet
Hammers on Bone
The Dead Take the A Train (co-written with Richard Kadrey)

Nightmare Fuel by Nina Nesseth is a pop-science look at fear, how and why horror films get under our skin, and why we keep coming back for more.

Do you like scary movies?
Have you ever wondered why?

Nina Nesseth knows what scares you. She also knows why.

In Nightmare Fuel, Nesseth explores the strange and often unexpected science of fear through the lenses of psychology and physiology. How do horror films get under our skin? What about them keeps us up at night, even days later? And why do we keep coming back for more?

Horror films promise an experience: fear. From monsters that hide in plain sight to tension-building scores, every aspect of a horror film is crafted to make your skin crawl. But how exactly do filmmakers pull this off? The truth is, there’s more to it than just loud noises and creepy images.

With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.

With in-depth discussions and spotlight features of some of horror’s most popular films—from classics like The Exorcist to modern hits like Hereditary—and interviews with directors, film editors, composers, and horror academics, Nightmare Fuel is a deep dive into the science of fear, a celebration of the genre, and a survival guide for going to bed after the credits roll.

“An invaluable resource, a history of the horror genre, a love letter to the scary movie—it belongs on any horror reader’s bookshelf.” —Lisa Kröger, Bram Stoker Award-winning author of Monster, She Wrote

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out, Candyman, and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire.

The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

A bone-chilling anthology from legendary horror editor, Ellen Datlow, Screams from the Dark contains twenty-nine all-original tales about monsters.

WINNER of the Bram Stoker Award for Superior Achievement in an Anthology!
A Shirley Jackson and Locus Award Finalist! A World Fantasy Award Nominee!

From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous?

Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown ... and unimaginable.

This chilling collection has something to please—and terrify—everyone, so lock your doors, hide under your covers, and try not to scream.

Contributors include: Ian Rogers, Fran Wilde, Gemma Files, Daryl Gregory, Priya Sharma, Brian Hodge, Joyce Carol Oates, Indrapramit Das, Siobhan Carroll, Richard Kadrey, Norman Partridge, Garry Kilworth, Caitlín R. Kiernan, Chikodili Emelumadu, Glen Hirshberg, A. C. Wise, Stephen Graham Jones, Kaaron Warren, Livia Llewellyn, Carole Johnstone, Margo Lanagan, Joe R. Lansdale, Brian Evenson, Nathan Ballingrud, Cassandra Khaw, Laird Barron, Kristi DeMeester, Jeffrey Ford, and John Langan.

Instant New York Times and Indie Bestseller!

This house eats and is eaten . . .

"A riveting debut from a remarkable new voice! Trang Thanh Tran weaves an impressive gothic mystery in which Jade's father is determined to restore a decrepit home to its former glory and Jade is the only person who feels the soul-crushing devastation of colonialism lingering within its walls." --Angeline Boulley, #1 New York Times bestselling author of The Firekeeper's Daughter

A House with a terrifying appetite haunts a broken family in this atmospheric horror, perfect for fans of Mexican Gothic.

When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She's always lied to fit in, so if she's straight enough, Vietnamese enough, American enough, she can get out with the college money he promised.

But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound while bugs leave their legs and feelers in places they don't belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can't ignore the ghost of the beautiful bride who leaves cryptic warnings: Don't eat.

Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house--the home they have always wanted--will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house's rot, she must also face the truth of who she is and who she must become to save them all.

Apple Books' Best Books of the Month - Amazon Best Books of the Month Editor's Pick, Romance - Library Journal Romance Pick of the Month - LibraryReads Hall of Fame: June 2023

Casey McQuiston meets The Seven Husbands of Evelyn Hugo in this mid-century grumpy/sunshine rom-dram about a scrappy reporter and a newspaper mogul's son "'for Newsies shippers, ' [that] absolutely delivers" (Dahlia Adler, Buzzfeed Books).

"A spectacularly talented writer!" --Julia Quinn

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city's biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can't let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy.

Andy Fleming's newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He's barely able to run his life--he's never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he'll make an ass of himself and hate every second of it.

Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can't deny. But what feels possible in secret--this fragile, tender thing between them--seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they're willing to fight.